stutteringspark asked:
I'm doing a research paper on how "Emily's Theme" and its variations help to aid the dramatic plot of the movie "Brick", and I was wondering if there is any sheet music for the score of "Brick"?
Hey there! The score for Brick was made mostly without sheet music, although our pianist (the lovely China) scribbled down a rough version of Emily’s Theme. I’ll see if I can root through my Brick box and track it down. And I’d love to read your report when you finish!
Our first proper glimpse of Emily Blunt’s tan, blonde, and decidedly un-blueblood look. We’ve released a few other official stills as well.
Rian Talks About Looper
So Collider has an interview up with Rian in which he talks about Looper! The whole interview is great, but I know some of you have been asking about the score… if you go to the 6.44 mark, you’ll hear a bit about how we approached this one. Quite a bit different from Bloom or Brick, but in a way, I think there is definitely a common thread!
(Source: collider.com)
Hey Californians… I know there’s been a lot of excitement about Looper recently, but I wanted to let you know that the Mélanie Laurent film I recently scored is going to be playing at the Newport Beach Film Festival as a part of the French Spotlight event.
I heard recently that it will be distributed in the US but this is an early chance to get out and see it. You may recognize the French title (Et Soudain, Tout Le Monde Me Manque) but the US version will be called The Day I Saw Your Heart.
If you live nearby (I think it is playing at Fashion Island?!!?!), go check it out and let me know what you think! Tuesday, May 01 at 8.15pm.
LOOPER!!!
![The Wall Street Journal just posted some early coverage about Looper, including the first talk about how we did the score in this interview with Rian and Joe:
“What other collaborators are you working with behind the scenes? Is your cousin doing the music as with your other movies?
Johnson: Yeah, my cousin, Nathan. It’s so cool. He took this tape recorder out to New Orleans where we were shooting the movie and found all these sounds and then sampled them and slowed them down 3000 percent, and basically using all these unconventional sounds built up a score that has kind of the of an orchestra basically so its this very huge action movie score but the sounds that you’re hearing are just foreign to your ear. It’s really a cool, cool score. [And] our cinematographer [Steve Yedlin,] I’ve been best friends with since college. And that’s very much the way we like to work — to find people we love hanging out with and slowly build up a family that we make movies with.”
So excited for you guys to hear this one! Click through the image for the entire article.](http://25.media.tumblr.com/tumblr_m1cmik0sXy1qzb6wro1_1280.png "http://nathanjohnson.tumblr.com/post/19788267478/the-wall-street-journal-just-posted-some-early")
The Wall Street Journal just posted some early coverage about Looper, including the first talk about how we did the score in this interview with Rian and Joe:
“What other collaborators are you working with behind the scenes? Is your cousin doing the music as with your other movies?
Johnson: Yeah, my cousin, Nathan. It’s so cool. He took this tape recorder out to New Orleans where we were shooting the movie and found all these sounds and then sampled them and slowed them down 3000 percent, and basically using all these unconventional sounds built up a score that has kind of the of an orchestra basically so its this very huge action movie score but the sounds that you’re hearing are just foreign to your ear. It’s really a cool, cool score. [And] our cinematographer [Steve Yedlin,] I’ve been best friends with since college. And that’s very much the way we like to work — to find people we love hanging out with and slowly build up a family that we make movies with.”
So excited for you guys to hear this one! Click through the image for the entire article.
#LooperMovie
This is what we’ve all been working on for the last year folks… And I can’t wait for everyone to see it!
Mix engineer Frank Wolf organizing the final stems.
Ladies and gentlemen, we have ourselves one completed movie score.
Midnight on the final day… Just a few more cues to go.
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